Wat Pho Bangkok

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Where Wat Phra Kaeo may seem too perfect and shrink-wrapped for some, Wat Pho (daily 8.30am-6pm; B20; personal guides available), covering twenty acres of the south of the Grand Palace, is lively and shambolic, a complex arrangement of lavish structures which jostle with classrooms, basketball courts and turtle pond. Busloads of tourists shuffle in and out of the north entrance, stopping only to gawp at the colossal Reclining Buddha, but you can avoid the worst of the crowds by using the main entrance on Soi Chetuphon to explore the huge compound, where you are likely to be approached by friendly young minks wanting to practice their English.

Wat Pho is the oldest temple in Bangkok and older than the city itself, having been founded in the seventeenth century under the name Wat Photaram. Foreigners have stuck to the contraction of this old name, even though Rama I, after enlarging the temple, changed the name in 1801 to Wat Phra Chetuphon, which is how it is generally known to Thais, The temple had another major overhaul in 1832, when Rama III built the chapel of the Reclining Buddha, and turned the temple into a public centre of learning by decorating the walls and pillars with inscription and diagrams of subject such as history, literature, animal husbandry and astrology. Dubbed Thailand’s first university, the wat is still an important centre for traditional medicine, notably Thai massage, which is used against all kinds of illness, from backaches to viruses. Excellent massages are available in the ramshackle buildings on the east side of the main compound; allow two hours for the full works (B300/hr; foot reflexology massage B300/45min). Wat Pho’s massage school also conduct thirty-hour training courses in English, over a five to ten-day period, costing B7000, as well as foot-massage courses for B5500.

The eastern courtyard

The main entrance on Soi Chetuphon is one of a series of sixteen monumental gates around the main compound, each guarded by stone giants, many of them comic Westerners in wide-brimmed hats – ships which exported rice to China would bring these statues back as ballast.

The entrance brings you into the eastern half of the main complex, where a courtyard of structures radiates from the bot in a disorientating symmetry. To get to the bot, the principal congregation and ordination hall turn right and cut through the two surrounding cloisters, which are lined with hundreds of Buddha images. The elegant bot has beautiful teak doors decorated with mother-of-pearl, showing stories from the Ramayana in minute detail, Look out also for the stone bas-reliefs around the base of the bot, which narrate a longer version of the Ramayana in 152 action-packed panels. The plush interior has a well-proportioned altar on which ten statues of disciples frame a graceful, Ayutthayan Buddha image containing the remains of Rama I, the founder of Bangkok (Rama IV placed them there so that the public could worship him at the same time as the Buddha).

Back outside the entrance to the double cloister, keep you eyes open for a miniature mountain covered in statues of naked man in tall hats who appear to be gesturing rudely: they are rishis (hermits), demonstrating various positions of healing massage. Skirting the southwestern corner of the cloisters, you will come to two pavilions between the eastern and western courtyards, which display plaques inscribed with the precepts of traditional medicine, as well as anatomical pictures showing the different pressure points and the illness that can be cured by massaging them.

The western courtyard

Among the 99 chedis strewn about the grounds, the four great chedis is the western courtyard stand out as much for their covering of garish tiles as for their size. The central chedi is the oldest, erected by Rama I to hold the remains of the most sacred Buddha image of Ayutthaya, the Phra Si Sanphet. Later Rama III built the chedi to the north of the ashes of Rama II and the chedi to the south to hold his own remains; Rama IV built the fourth, with bright blue tiles, though its purpose is uncertain.

In the northwest corner of the courtyard stands the chapel of the Reclining Buddha, a 45-metre-long gilded statue of plaster-covered brick which depicts chapel is only slightly bigger that the statue – you can’t get far enough away to take in anything but a surreal close-up view of the beaming five-meter smile. As for the feet, the vast black soles are beautifully inlaid with delicate mother-of-pearl showing the 108 lakshanas, or auspicious signs, which distinguish the true Buddha. Along one side of the statue are 108 bowls which will bring you good luck and a long life if you put a coin in each.

 

 

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